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By Guillermo Saccomanno, in Radar books.

"translator and prologue of La Divina Mimesis, Diego Bentivegna pointed out that with Contini, the 50 are for Pasolini the teaching of intellectual Erich Auerbach, whose work draws on the concept of mimesis, understood in a sense peculiarly attentive to its linguistic dimensions. For reading La Divina Mimesis is important to remember that in the critical path of Auerbach, Dante is at the hinge in Western literature. Pasoliniana writing here is a full time mimetic project which combines the sacred and the profane, the ridiculous and the sublime, the frivolous and theology. Prior to La Divina Mimesis, Pasolini's Dante fervor can be traced to an essay of 1965: Dante will be a poet (compiled in Empiricism heretical imperative, translated and annotated by Stephen Nicotra) which raised the importance of linguistic operation of Dante: the Latin cum, writing his Commedia in the Tuscan language, ie any political attitude to deviate from a hegemonic cultural language by adopting a commoner. This strategy pasoliniana return to Dante, was a new meaning that challenged "some Italian Marxist critique" to return to the origins of the language if I wanted to discern a poem questioning of a mediocrity. Almost redundant to point it out: for Pasolini Dante represents the total operator that marks the passage of the Middle Ages to the Renaissance, the ideologue articulating political theories that do not forgive those who do not take sides warm, poet that their world novelizations appealing to popular sublanguages \u200b\u200b... "continues here .

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Catholic machine, by Daniel Link

profile published in the Journal of Buenos Aires, May 22, 2011.

professor and writer continues the series on that rescues forgotten figures of national literature. In this essay, it retrieves the work of the Jesuit Leonardo Castellani (1899-1981), until recently ignored by the critics, although his work deserves pride of place next to George Luis Borges and Roberto Arlt in the literature of the twentieth century Argentina.

By Daniel Link

21/05/1911 - 11:33


Miscellaneous. He wrote detective stories, satire, criticism literary, biblical commentaries and pedagogy tests.

That morning, the father carefully reviewed his cassock. Had ordered that the plate with sizing because supposed to have to pose for the cameras, before or after dinner as the guest list had entered almost carambola ("divine", liked to say to his friends), but which decided participate because he was deeply convinced of their right to join the list of representatives acotadísima Letters Argentinas.

May 1976 had begun on a high note: Sunday 9, the president had met with top scientists (there were even algún Nobel). Días después, con ex cancilleres, y el 17 de mayo con las nuevas autoridades de la Conferencia Episcopal Argentina, que dos días antes había difundido la Carta Pastoral Anual que subrayaba el necesario espíritu de comprensión para con las dificultades de la “nueva etapa”.

Aunque el padre Leonardo Castellani no se llevaba bien ni con los miembros salientes de la Comisión, ni con los nuevos, su nombre fue sugerido por ese cónclave como uno de los más prestigiosos que la “literatura católica” podía acercar a esa mesa, servida el miércoles 19 de mayo de 1976 en la Casa de Gobierno para “conversar abierta, francamente, de los problemas que atañen culture in relation to the situation of the country ", as the secretary general of the Presidency, General Jose Villarreal, was responsible for marketing at newspapers in the days prior.

retrospect, you'd better not have, because two of the guests, for those advances, began to be harassed mercilessly to submit certain claims to the commander in chief of the Armed Forces. The executive committee of the SADE, who had won the primaries by his allies in the PC-pressured its president, Horacio Ratti (invited along with Jorge Borges, Ernesto Sabato and Leonardo Castellani) to surrender, and a series of sectoral demands, a list of names of writers missing or imprisoned since March (Haroldo Conti, Alberto Costa, Roberto Santoro, Antonio Di Benedetto, among others). Although Ratti wanted to refuse such assignment, should follow the decision of his sadistic colleagues.

Castellani, meanwhile, had been visited by "a person who, with tears in his eyes, sunk in despair, [it] had begged him to intercede for the life of writer Haroldo Conti, abducted from his home May 4. ("I did not know him but he was a renowned writer and had been a seminarian in his youth. But anyway, no I care about that, then they have been treated for any person, my moral duty to echo who asked for someone whose fate is uncertain at this time. Write your name on paper and handed it to Videla, who picked it up respectfully and said that peace would soon return to the country, "Castellani said two months after the magazine Crisis.)

Despite the informal habeas corpus The lunch was uneventful, and the tenacity of historians has given us exactly the course of service (pudding of vegetables, ravioli with tomato sauce, fruit salad), the satisfaction of the guests and the trivialities of conversational exchanges at this critical time: the problems of the hearing, the low quality of American food, the need for a council of elders for the regulation of the media, the neglect of language ... Over that lunch, which could have changed the country's history, we know everything. Some participants, however, have remained in an unjust oblivion over the years hardly begins to twist.

Arguably Ratti Horacio earth swallowed him or bureaucracy (with justice). But the romantic life of the "angry Jesuit Leonardo Castellani (Reconquista, Santa Fe: November 16, 1899 - † Buenos Aires, March 15, 1981) would have deserved a movie in any country but stunned by the dictates of the academic canon, critical laziness and the book business.

His work, vast and immeasurable (broader than that of Borges, less nihilistic than Sabato, greater plasticity than Arlt: folkloric tales, biblical commentaries, literary criticism, parables jackets, detective stories, fairy stories, pedagogy essays, satire in the magazine Jauja, he founded, and even an annotated translation of the Summa Theologica of Aquinas Doctor), dominates the twentieth century with a brilliance that only now beginning to be felt.

and heroic in a recent book (Castellani critical. Essay discourse on war and the word transfigured, Buenos Aires, Cabiria, 2010), Diego Bentivegna are enlightened by the incandescent proportions of that work, especially in regard to Jesuit as a theorist of reading (understood in all its practical implications: criticism, pedagogy, interpretation of sacred texts, etc ...).

While new Metri father's death (1942) was considered by Rodolfo Walsh as the best book of detective stories written in our country, Bentivegna goes beyond and challenges the hegemony of the critical current, which prevented him from placing myopia its production in its rightful place. Castellani, Bentivegna in perspective, it is placed equidistant from the elitism of Borges and Arlt modern machines and Bioy Casares (as Beatriz Sarlo the ever defined) and without the notion of "word transfigured" to whom he dedicated his extraordinary intellectual ability, among other things, the translation of the Apocalypse of John of Patmos and nationalist outbursts, the cultural landscape of modern Argentina is incomplete. Castellani Bentivegna read a "utopia of heteroglossia." The hypothesis is essential to assess its particular nationalism, above all, to meet all concentration camp fantasies of monolingualism and unique speech, for of which we are now so trapped.

Castellani broken language (taking parts of the cultural language of immigration cocoliche of the classics and popular jargon) stands against any attempt to think of literature as a thing of the spirit (no avant-garde urge the guide) and points in the direction of the "flesh art" of Christianity itself: a "word transfigured" is "an affirmation of the matter, the physical nature of the aesthetic act."

Catholic, Castellani can only sustain universal but their religions, as Giorgio Agamben reminds us, maybe come before relegare that the religare: no rebind is full of links universals, but to relegate all abstract reductionism: in the tension hold life forms, and these margins can be read as literature Argentina (through its obedient minions) does not want to think about himself.

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Conference on the work of Leonardo Castellani Castellani

"Leonardo Castellani: canon and criticism" is the title of the conference will be held Saturday at 17 in the Ethnographic Museum.

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On Saturday 21, at 17, in the field of Reading Workshop on Innovation and Culture Ministry, which operates in the Ethnographic Museum, Diego Bentivegna lecture on Leonardo Castellani: canon and criticism. Bentivegna conference, open to the public is part of the conference "Fall Reading," which meet this Friday and Saturday to authors from different locations from the 19, in that museum, May 25, 1470. Bentivegna

Castellani is the author of critical. Discursive essay on war and the word transfigured (Ediciones Cabiria, 2010), which covers the production of Leonardo Castellani criticism from some large groups: the question of the controversy and war discourse, the relationship between critical and exegetical reading and the problem of self-righteousness; the site of the evangelical concept of transfiguration to think the politico-theological interventions Castellani. As Cecilia Roman wrote in our pages of Arts & Letters, is "an essential book to place our author [Castellani] in time and space, and confront him with his contemporaries, who praised them or ousted, according to the time and the time cross-country policy. "

Leonardo Castellani's work is one of the most prolific of the literature Argentina, is at the same time, paradoxically, one of the least visited by academic studies. Born in Reconquista, in the Chaco Santa Fe, in 1899 (the same year that Borges) and died in Buenos Aires in 1981, Castellani through the twentieth century Argentina, with its achievements and its contradictions, passions and tragedies. His work can review some of the great moments that will constitute what we think, always so problematic, as "culture of Argentina."

farmer Castellani is a sharp pen and sometimes hurtful, even in relation to ecclesiastical institutions, not less data to understand their expulsion from the Jesuit Order in 1949, after two long years of residence in the town Catalan Manresa, where he ponders its place as a writer, as a believer and a priest.

His critical writing, in principle, interventions controversies surrounding some key components of national literature, as his contemporaries Jorge Luis Borges and Ezequiel Martínez Estrada-with whose readings of Martin Fierro-lucid polemic, book reviews, prefaces, translations ( as the Lord of the world, the English novel Hugh Benson, and Castellani, a member of the Jesuit order). They also include extensive articles with authors to those who feel particular empathy, as Dante, Paul Claudel, Gilbert Chesterton. In the second part of his life, his world is peopled with characters essay as the Danish philosopher Soren huge Kierkegaard, who with all his Christianity and its struggle against institutionalized versions of religion, Castellani is transformed into an essential reference. Copenhagen philosopher dedicated Castellani, in effect, what is perhaps his most powerful book essay: From Kierkegaard to Thomas Aquinas, published in 1973 by Editorial Guadalupe. Castellani

also focuses sharply on exegetical reflection about the great texts of the Christian tradition. Emerge from this reflection volumes as The Gospel of Jesus Christ, which includes articles published Sunday in the newspaper La Tribuna de San Juan, The Parables of Christ and, essentially, volumes devoted to the problem apocalyptic Christ, return or not return? and The Apocalypse of St. John.

be recalled that the Jesuit Santa Fe is the creator of the fictional police series centered on the figure of Father Metri, an Italian priest in the middle of Chaco Santa Fe installed by solving a mixture of Thomism and popular wisdom, a number of cases singular truculence. But Castellani also passes as literary author, by a huge variety of records, writings and genres, from the account of regional nuances, such as farming in northern Stories bravo volume, which collects stories set in the wide arc ranging from Catamarca Andes the coasts of the great rivers of the Coast, to the novel, in different forms and varieties. Thus, we find novels in advance, as His Majesty Dulcinea matrix apocalyptic novels, intended as fictional devices that display complex and sometimes risky, exegesis of biblical texts (The papers of Benjamin Benavides) and even a mystery as the nouvelle enigma ghost car, written during the stay of Castellani in the city of Salta, where he experiments with varieties of Castilian spoken in northwestern Argentina.

In short, to quote the words you enter Hernan Benitez, another great Argentine Jesuit intellectual's work Castellani, en su complejidad y en su variedad de estilos y géneros, constituye un “género único”: uno de los más potentes y problemáticos, sin duda, de la literatura argentina.

Diego Bentivegna es doctor en Letras por la UBA, donde se desempeña como docente en el área de Literaturas Comparadas. Ha publicado los libros Paisaje oblicuo (ensayo, 2006), Viaggio in Italia. 8 poetas italianos contemporáneos (Crítica y traducción, 2008) y El poder de la letra. Literatura y domesticación en la Argentina (ensayo, 2011). Ha estado a cargo de las ediciones en castellano de La Divina Mimesis, de Pier Paolo Pasolini (2011) y del epistolario del mismo autor (2005

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"(...) I started writing very young, but it was while studying engineering, I realized that poetry was to be my passion, the only sense of a hypothetical full, and many more possible losses. However, it still did not know much. I wrote in 1969 some of the short poems that are in the beginning of the book Purgatory and in 1972 another poem called "green areas" and which I think is the most perfect and anguish I've done. Engineering returned to fall headlong into the ship's hold Maipo on the morning of September 11, 1973. When I left there the world was completely broken. Asylum and I thought the worst. Paradoxically that beat save my life, and was absolutely committed suicide, but to see how people killed in the streets, as myself and as I was beaten at that moment was, again, killing many, suicide seemed to me absolutely ridiculous, horribly ridiculous, frivolous. My psychological conditions and físicas eran insostenibles: una vez me bajaron de un bus solo por mi aspecto. Fue la humillación y el poema. Recordé esa frase de la mejilla de Cristo y me quemé la mía, respondiendo a la bofetada, lo hice solo, en un baño con un fierro que quemé al rojo en el fuego del calentador de agua. (...) más tarde comprendí que con ese acto absolutamente solitario, autodestructivo, había comenzado algo. Así se inició en verdad mi poesía, quemándome la cara y me propuse una obra que concluiría, si acaso, con el vislumbre colectivo de la felicidad. Fue en mayo de 1975, imagine todo el trayecto, las escrituras en el cielo y en el desierto, incluso los títulos: Purgatorio, Anteparaíso, and La Vida Nueva. That's it, my poetry is from one cheek burned to the verse written forever in the desert of Atacama "or pain or fear" (measuring four kilometers and can be seen from above, with the Cerro La Vida Nueva in 1993. I have not been in that sense, a spontaneous poet. I have lived more than twenty years obsessed with an idea: the glimpse of happiness. All I've done has to do with it, with the strength and the life (and defeat). ( ...) It strikes me all the good that I read, but I can only mourn the dead beauty with some famous: Michelangelo, Dante, Whitman, Neruda, Homer and more: Nietzsche (who hate from the bottom of my heart, but makes me mourn), Dostoevsky. These big names give me strength, make me explode with happiness and fulfillment. Some celebrities of modern times but left me completely indifferent, starting with Borges. I love Vallejo of Spain away from me this chalice, how I would ever achieve that total simplicity and certainty. But the only way to access something that's the moral work. "

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" We doubt the existence of Paraguay. Descendants of races Guarani indians and slaves who work by instinct in the absence of reason. They perpetuated the colonial primitive barbarism. They are ignorant of dogs which have killed hundreds and fifty thousand. Their advance, led by degenerate descendants of English, would the arrest of any progress and a return to barbarism ... The frantic, stupid, gross and ferocious drunk Solano López accompanying thousands of animals who obey and die of fear. It is providential that a tyrant has made all these people die Guarani. Was necessary to purge the land of all that human excrescence: lost race whose spread must be free. "(Letter from Sarmiento to Mitre, 1872, fragment)

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would need to be an enemy of himself and contrary to the minimum humanitarian values \u200b\u200bto pass the terrible crime of terrorism of Al Qaeda's September 11, 2001 in New York. But it is wholly unacceptable that a state, the world's most powerful military on the ground, to respond to terrorism has transformed himself into a terrorist state. Bush did just that, limiting democracy and suspending the unconditional validity of certain rights, which were the pride of the country. He did more: he directed two wars against Afghanistan and Iraq, which devastated one of the oldest cultures of humanity, which has killed more than hundred thousand people and has been more than a million displaced. It

repeat the question that almost no one is interested to ask: why were no such terrorist acts? Bishop Bowman Robret Melbourne Beach Florida who was formerly military fighter pilot during the Vietnam War, said clearly in the National Catholic Reporter, in an open letter to the President: "We are the focus of terrorists because, in much of the world our government advocates dictatorship, slavery and human exploitation. Are the target of terrorists because they hate us. And they hate us because our government does things odious. " Nothing else

said Richard Clarke, head on terror White House in an interview with Jorge Pontual Globonews aired on the 28/02/2010 and repeated the 03/05/2011. Had warned the CIA and President Bush that an attack was imminent Al Qaeda in New York. Not were heard. Then it happened, what filled him with rage. That anger rose against the Government when he saw that lies and falsehoods, Bush, by sheer will to maintain imperial world hegemony, declared a war against Iraq that had no connection with September 11. The anger reached a point where, by health and decency, resigned. More blunt was

Chalmers Johnson, one of the leading analysts of the CIA, also in an interview at the same journalist, on May 2 this year. Met inside the evils that more than 800 U.S. military bases produced, distributed throughout the world, because they raise the rage and the revolt in populations breeding ground for terrorism. Quote Eduardo Galeano's book "The Open Veins of Latin America" \u200b\u200bto illustrate the brutality that American intelligence agencies committed here. Denounces the imperial character of Governments, based on the use of intelligence coups recommended, organized the assassination of leaders and teaches how to torture. In protest, he resigned and became a professor of history at the University of California. He wrote three volumes, "Blowback" (revenge), in providing, a few months in advance, acts of revenge against U.S. arrogance in the world. Has been taken as the prophet of 11 September.

This is the backdrop against which to understand the current situation which led to the criminal enforcement of Osama Bin Laden.

U.S. intelligence bodies are failures. For ten consecutive years have swept the world to hunt down bin Laden. Accomplished nothing. Using a method only immoral, torture of a messenger from Bin Laden, have managed to reach his hideout. Therefore, no one had their own merit.

In this game everything is under the sign of immorality, shame and crime. First, the President Barak Obama, like a "god" has determined the execution / killing Bin Laden. That goes against the universal ethical principle of "no kill" and international agreements that prescribe imprisonment, trial and punishment of the accused. This was done with Hussein's Iraq, Nazi criminals of Nuremberg, with Eichmann in Israel and other defendants. Bin Laden has deliberately preferred execution, a crime for which Barack Obama will meet someday. On the other hand, has invaded the territory of Pakistan without any notice of the operation. Then the body was kidnapped and they have gone to sea, a crime against family piety, a right that every family has to bury their dead, criminals or not, because of ill, would never stop being human.

has not been done justice. It has been practiced revenge, always condemnable. "Vengeance is mine" says the God of the Scriptures of the three Abrahamic religions. Now we are under the power of an emperor who are accused of murder. And the crowds necrophilia diminishes us and shames us all.

Leonardo Boff is a theologian, philosopher and author of fundamentalism, terrorism, and peace religião, Vozes 2009.

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, theologian Benitez

"Listen, lords and princes are the source of all usury, theft and robbery all, they hijack all creatures water fish, birds of the air, the trees land (Isaiah, 5, 8). And then the poor spread God's commandment, "Thou shalt not steal." But that does not apply to them. Reduced to misery men cough, skin and strip the peasants and craftsmen and all living things (Micah, 3, 2-4), but for the latter, the least fault, the gallows ...." ( 1524)

.

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- And how to explain, Castelnuovo, Borges has written so much about outlaws and orilleros, still belonged to Florida?
"But the orilleros he knows nothing. In Man on Pink Corner, close to the language is slang and pineapple. He said that the hoodlums came Barrio Norte, Palermo, and that is nonsense.
- Why malevos Borges writes, then, is pure imagination? ...
"And what I know. From boy saw little, and grew up locked. So imagine, no more. You do not know what he writes.
"No, no, apart from certain ideological issues, I guess I will not deny literary merit.
- Why not? I do not like what he writes. I can not have anything in common with a man whose ideal is a dictatorship of the thirteenth century. He belongs to the reaction, is an instrument of the oligarchy, which requires firms to curb famous the world changes. (...)



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The president and Blessed

Most people will miss the intemperate remarks of President Alan Garcia still, attributing to John Paul II's death of terrorist Osama Bin Laden. However, with much regret I must admit that the current president and blessed with at least one thing in common: the inability to deal flagella own institutional.

Alan Garcia in 2008 downplayed the scandal of the revelation of petroaudios, and more, almost asked not to investigate them because they would affect governance in the country, which would favor a Humala and et al. But that's not going to be the most obviously wrong: it is ironic that the same year he defeated impunity (2009 to the decision Fujimori) got stuck, but truncated, the opportunity to investigate the worst case of political corruption in this government. Thinking, it might have been the opportunity to purge itself of corrupt elements, but as we know, there was no political will to do so.

John Paul II during his papacy prevented through his nuncio in Ireland research of at least 2 000 allegations of pedophilia committed by priests, the worst scourge gets the Catholic Church. The reason? Blessed today perhaps fearing that this would increase the number of apostates and converts to other branches of Christianity. But it will turn out that this is not the worst of evils (although frankly, there are moves antipederastia with a strong antitheist that have made this just struggle in a win-win) no, not that candidly Wojtyla accepted the apology of some pederast confessed ... The worst evil is that pedophilia is still there, although the percentage is not so high, still field the impunity in spite of good faith they profess and despite many of its victims. So sometimes I wonder, if not Fujimori and Alan was the epitome of impunity, but that old lag Juzgo Charter, which only punishes the cohabitation with change of parish.

this light, the excuse for impunity seems to be the same: to ensure the stability and prestige of an institution, state or church, its leaders invoked as The solution to hide the dirt under the carpet. Nobody in their right mind would believe that delaying the problems solved. No one can not but think that a strong response is the only possible reaction. In both cases, it is unfortunate result: a country torn apart by one hand and wearing the mantle of impunity, on the other.

also feels Republican, I can not help thinking that ultimately, the Vatican is not a monarchy but tamed by the enlightened West, who survived thanks transfusions and Renaissance humanism, and ironically, had a topping on the last century a pilgrim and smiling John Paul, who conveyed an aura of closeness and trust ... But the fact is that this process, the aggiornamiento had begun with His Excellency John XXIII and Paul VI continued (who injected social force and outreach to the poor), but it seems that the Pope who came from the cold has given by buttoned.

Another parallel with Garcia for if some doubt: in 2006 the government had the opportunity to continue the liberal democracy that cost us then introduce the grim dictatorship of Fujimori in the 90's. It began with Valentin Paniagua, who so modestly only took 8 months for the transformation of this country, followed poorly in the Toledo administration, a period so gray that virtually the mere mention memory becomes hazy ... Now there are only two options: either return to the dark decade, or embark on a picture to unknown and dangerous. The democratization process ended when Toledo was elected in all cases, but definitely disappeared with the rise of Alan García.

Know that I write this it's funny. But precisely because it amuses me to know how important institutions do not meet our expectations, and know myself at the same time, secular city, I can not help noticing that the internal ills indifference is the worst scourge of our times. In the case of John Paul I would give him the benefit of the doubt and think that alone and moments before his death, he regretted having missed the opportunity to do justice: after all, no one like him to know the pain and oppression. But perhaps neither the time nor history be so kind to Dr. Garcia. As Hildebrandt said: "has twice won the elections but will end up in the attic of history" .

Well, in addition to much else. For saints, rather entrust to St. Mary McKillop, who should be the icon of our times in the fight against pedophilia. I'm not kidding, read his biography. Geez

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Literature and domestication

"Jorge Luis Borges: NO. Orribile "(Corriere della Sera, April 1974).

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Tomorrow, Thursday May 5, 2011, at 17:30 there will be a toast to the opening of the collections of the Pedagogic University, La Plata. The appointment is at booth 525, blue flag.

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Witold

"I know of no better book to enter the secrets of contemporary sensibilities of Latin America, its myths, its phobias, hallucinations. But its content is universal, crossed by the marvelous metaphor of "Report on the Blind." Witold Gombrowicz in the preface to the German editions, Italian and French "On Heroes and Tombs

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Sabato

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Benitez: "I've read almost every book published that year against us. Except one," The Other Face of Peronism "Ernesto Sabato, deep, serene and worthy to be taken into account, everything else, what bullshit!" Yesterday was St. Perón "(from Damonte Taborda)," Eva Peron, wife of the whip "(from Mary Mann)," What is this? "(Ezequiel Martínez Estrada) must be analyzed in Institutes mental hospital. They are made of hate insane, pathological hatred "(N. Galasso, I was the confessor of Eva Peron, Rosario, Homo Sapiens, 1999, p. 109).

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Gonzalo Rojas reflects on the sea. Goodbye, Gonzalo !!!!!!!!! Cecilia Roman

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Things I fucked this month

just the month, and I follow Pa'lante. Not that I have done well at all, but here some things I really fucked up month:

* Presidential Elections 2011-2016: Pfff to be repeated ... and I have a post about it. It was not bad experience, but the results are terrible, frankly, has shown us that we remain a country in ruins, and well, the best summary of this date, the boy did utero, not wasted your link.

* The post-election racism social networks: It was really good. Hatred, intolerance, immaturity and cyber-illiteracy bytes rivers ran in the evening on April 10 and morning of 11. Most, of course, disappointed voters candidate Pedro Pablo Kuckzinsky, who blamed the mountain (read it as inhabitants of the mountain), the "cholos" (that is urbanized indigenous) and "social malcontents" the rise of Humala and Keiko to the second round.

What I have anger, I wanted to win PPK!

But of course we should not generalize, there are people who in good faith vote for PPK, and were not racist, but naturally did not make the boundary in time so deplorable attitudes ... But anyway, that was mourn over a spilled milk: 2 weeks PPK enough to erase the political landscape (by pure your Covenant for Peru oe) and parboiled bury the Alliance for the great change.

ejected by Alvaro * Portals of Facebook: One day I visit the gallery Alvarito without noticing anything unusual ... comment until where was the option to comment? Without thinking twice, I go and tweeted about it ... behold, his enigmatic and ruthless response:

@ DarkPrince2007: No idea ... the spraying was unreliable, he puts in the pouch and boot. Here too.

WTF?? What the hell have I done to be considered as well? I said conchers unreliable; was vainly seek explanation of it, the fact is that little visit feis, let alone the MSN for my occupations and learn about it leads me to believe, among other things, since when I will have been expelled for Alvarito?

Too bad, because I admired his art and music appreciation. It is the first (or last) time that a monarch click ostracized me. Nor are we going to insist, or victimize or whine about it: fortunately I'm neither a ppkausa.

* Cancelled Symbionic Titan in the U.S.: And therefore also here in Latin America and also in Peru.

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Ah true, it is natural to wonder what the hell is Symbionic Titan? Was a Cartoon Network animated show that represented a return to origins, a reconciliation with the teenage audience that followed him from the 90's, until the mid-00, which was exactly the golden age of the channel. For details of the plot, click the link.

addition, the show was produced by one of the geniuses of contemporary animation, Genndy Tartakovsky ... same creator of The Dexter's Laboratory (which ironically turned 15 yesterday it was created), Samurai Jack and Star Wars The Clone Wars . One of the men who helped with their work, to place Cartoon Network (hereinafter CN) in the position where it is.

What was the show? Well, the rating is not much favored, CN has long been considered a well-child care a wider audience that is going to swallow anything you put and has neglected her lifelong fans. Apparently this kind of vile business is profitable (that is why they exploit to the utmost and Ben 10 other fried). However, the solvency Genndy artistic supposed to show, with a little more time, would meet, but exceed the expectations proposals.

But then came the inevitable. Symbionic Titan issued its last episode on April 8 this year. So they ended their 2-year short-lived, as I said before, the last chance to recover their fans CN lifetime. But that was not the rare case, not the hare jumped when CN decided to cancel the show because of LACK OF Merchandising.

This is where I emputé seriously. How there would be potential for making comics with such series? Even the more crappy shows have had a wonderful Merchandising (as for instance Transformers Animated), and even the Star Wars Clone Wars mented has placed its action figures quite naturally within the range of collectible for any fan of Star Wars ... Is not going to have this show a potential in comics?

Conspiranoids I hate myself but dismissed rumors that CN Tartakovsky to learn that this was going to work for Sony Pictures, felt that he could not chew Genndy two cheeks and right there he rescinded the contract. If that were true, it would be as dark corporate event that the purchase of Disney to Marvel.

Well another show canceled, just like that, no Vaseline. In vain is mourn and assholes. Moreover is Genndy possible that the same do not intend to continue it, because that's Phoenician is the thing in the world of animation.

* The royal wedding: More huachafo impossible ... even when I think that cable will not give this bodorrio ball, I see that National Geographic special devoted to the wedding cake ... vestosconch. I get to what we already know, I am a proud Republican, so cheap, sentimental is most revolting.

Anyway ... another month it accumulates.

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Chronicle of a young president of table

Well I promised, a little late but here are a relationship, as structured as possible, about 10 events that occurred in April in 250,422 polling station in Carabayllo. EARLY



7:30: I arrive as I can to local school José María Arguedas, after local and confused me almost late for 5 minutes.

8:00: First one I had with me to the third alternate, but that changed minutes later, the arrival of the other members and alternates. Receive the materials, review and install the tables. Another task is to sign the ballots one by one, only require my signature, the only Personera who appeared was the party PPK. VOTE



8:30: Voting Begins, a mechanical process but reliable: I ask the voter the DNI, the 3rd member is reviewed in the report, sends it to the voting booth with a card and a pen then the secretary have it signed in the minutes immediately after leaving their fingerprint and dip your finger in the infamous bottle. To end picks up her ID card, with the hologram sticker and adhered to, and removed.

10:00: Voter registration with the method continues quietly and smoothly.

11:00: Staff bags ONPE deals us cold rations, pack a couple of crackers, 2 bottles cifrut and mineral water, lemon candies, a can of tuna and a plastic fork with the logo of the ONPE.

12:00: A voter refuses to dip his finger in ink. With great difficulty we convinced him that a little wet. However, I also notice how absurd it is to wet your finger in the jar of yore.

13:00: My aunt brought me a plastic box with chicken rice and a salad for my lunch. My fellow diners also receive rations sent by their families, and as the volume of voters decreases, we decided to have lunch there.

14:00: I hear some songs from my cell phone mp4 not to succumb to boredom. This does not diminish my diligence at the time to continue registering voters.

15:00: I and my dedicated colleagues look forward to the end of the day ... lack little, just for an hour, there remain a dozen unused ballots.

16:00: polls are closed. Nobody comes out of that period and there is no melodrama in the local door. Thank God, but now begins ... SCRUTINY



17:00 to 18:00: gutted the box, proceed to sort the cards into 5 groups of 35 (ie, there were 175 cards used), and started to beat us, I say to count the votes. In my capacity as president of my work table is "singing" votes and the secretary be scrupulously recording them. , As does the ombudsman. 18:00: And as expected, Ollanta Humala wins my table , Keiko is challenging the voting intentions, followed predictably by PPK, and Castaneda and Toledo, in that order. Incredibly recorded only 3 votes for JUSTE, Social Forces and the Party of Fonavistas respectively ... those who did not win anything were National Awakening, National Strength and Forward. Pineapples then. Oh course, I kept my promise to stop blank ballots as it was.

19:00: Begin by counting the votes for Congress and the Andean Parliament. Damn that is pure Andean Parliament Rasking ból I swear, I'm no good. So I was not surprised that most Feedback not have even the most outlandish idea whom to vote in that box. By decision of my colleagues, and to speed up the count, I sing alongside the votes, while the clerk will dictate the votes of Congress, the 3rd member will dictate the votes for the Andean Parliament, one at a time to avoid confusion, the Personera in capturing both communications will change not to miss the election.

20:00: After the work of scrutiny, and once securely sealed and packed the record, we concluded the electoral process and we retired to our home. --- I am grateful to the ONPE for allowing me to be part of this process, I thank my hardworking fellow diners for having collaborated with the work, I thank the voters who showed up and finally the whole world, for having done their duty.

Of course, this is far from over. See you again in the 2nd round ... that I can be sure.

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Message to ppkausas



So, stop and mourn for the old man that Obama believed the Andean and finished as the Mac Cain of Monterrico. Your fault, for having believed a technocrat styrofoam is now Peru is an electoral perspective unflattering, to an arc with poles that could not be more different, and is sparking ...

What was with PPK youth? Pfff that shame I already felt old and displaced by the new generations, as iconoclastic them with those who once were and also, I who tormented the rapid generational change (what did not know if you are from the 90's, or 80's, and are old) but because of that, seeing your comments subnormal in social networks, I say I am a proud old.

course, also a major culprit in reality has been the disastrous government of Alan García, his indifference, his appeasement, corruption and arrogance have created an unsurpassed discontent among the lower classes, it is not possible and offset from Lima with verbal diarrheas or "good intentions." Has generated further divisiveness and gaps, and why not say, open wounds and bleeding. Wake

therefore wannabe middle class, you were indifferent to pain and poverty in the provinces, and that is how this has been harvested so polarized voting intentions. Are left to mourn over spilled milk. How long these, would like to believe that the decade (it comes from Toledo this) tablita surf the pedantic, the I-phone queer bubbling MTV, social networks subnormal, a long list of cheap, sentimental has come to an end ... Keiko is Humala is, with everything that's going to be in the past ... or rather, must remain in the past.

In other words, what would is that youth is not it, that sea of \u200b\u200bcomplacency and we've seen parading levity in these last years, months and weeks. It is again the divine treasure ... it is again Gonzales Prada's muse and May 68 (I mean the force of consciousness, not necessarily the ideology that sustains it.)

But until then ... Sic semper ppkausas (in 5 years or such a recall letterhead). And none of us lost a good president, that sort has already been profiting in Peruvian politics since the 1st Belaunde Terry.

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we review in The Coast of Santa Fe Thanks, Ceci! Castellani


Fish
For
drowned Cecilia Roman


"Castellani critical. discursive essay on war and the word transfigured" by Diego Bentivegna. Ediciones Cabiria. Buenos Aires, 2010.

Leonardo Castellani was born north of Santa Fe, more precisely in Reconquista, 16 November 1899. In the same way that the time was responsible for burying the first foundation of Don Juan de Garay in our lands, the years were powerful voice choking the original of this Jesuit priest, making his name in an empty word.

But Castellani was a prolific writer, unusual in our environment. A fearless critic, whose courage earned him exile and perhaps, forgotten.

Taking over from his most interesting intellectual vision, Diego Bentivegna approaches his work in critical Castellani. Discursive essay on war and the word transfigured, an essential book to locate the author in time and space, and confront him with his contemporaries, who praised them or ousted, according to the time and the political moment facing the country.

Bentivegna, with a management scholar of sources, shows the least known of Castellani face: his differences with Borges critical affinities with José María Rosa and Leopoldo Marechal, among others, their aesthetic tastes that put over the poetry of Juan Ramón Jiménez Hernández Miguel to, for example, his thoughts on the book as object, saying:

"Who does one thing, it's yours. Who makes a book? First, the author of the book, sometimes with bloody bits of your brain and your heart alive fibrils. After author, who makes a book is the printer, which gives the material body. Third, does the book publisher, who provide their capital, makes it possible for the other two workers their work, sometimes working it very little. Finally comes the bookseller, which it has deposited into your house and it will sell. The most obvious justice would ask, therefore that monetary product that cultural production was highest to lowest in this order: author, printer and book. What? Happens all the way around. "

All these features, plus an invaluable chronology and the section he calls "critical Handbook", which includes the text of the Castellani, essential for greater understanding and insight into their work, make a brief but concentrated volume is greater Under the rescue an original figure of our literature, not just in the narrative of their work recognized, but in his profile and critical essay.

Bentivegna In the pen, these fascinating texts end up being a touch reminiscent of the literary capital of an entire historical period and he, therefore, the archaeologist who unearthed the ruins, or the fisherman who brought the river to the man drowned.

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=

The coup of April 5 was the Maximum trolling for democracy peruana.Y think that there are those who continue to hold, would make a perfect match with Uribe, no doubt.

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Critical Review by Luke Adour, in the journal Criterion. Joaquin

No. 2369 "in April 2011 by Adur
revisited Castellani, Lucas · Comment

In critical Castellani, Diego Bentivegna proposes an approach that seeks to reposition the" furious Jesuit "in the literary work of the priest argentino.La Leonardo Castellani covers a large number of volumes and a remarkable variety of genres: folkloric tales, biblical exegesis, manuals philosophical, literary criticism, key parables gaucho, detective stories, tales, and even an annotated translation of the Summa Theologica of Thomas Aquinas. This huge mass of text remains largely ignored by academic criticism. If you are granted somewhere while Castellani is the author of detective stories, particularly The nine deaths Chestertonian Father Metri (1942) that once Rodolfo Walsh considered as the best book of this kind written in our country. The rest of the production Castellani seems expelled from the institutional repository of traditional criticism and literature: a word extópica, anachronistic, always out of place.

The recent work of Diego Bentivegna, Castellani critical. Discursive essay on war and the word transfigured (Buenos Aires, Cabiria, 2010) proposes a new approach which seeks to reposition the "furious Jesuit" in the Argentine literary field. It is not yet an apologetic reading of a mere attempt to "rescue" the author of oblivion, but a critical essay on the power running through the work castellaniana. Bentivegna reviews the issues that occupied for decades the priest Santa Fe, many of which are still outstanding: the complex relationships between religion and politics, the role of media in shaping and manipulating public opinion, the successes and failures of the educational system and market interference cultural practices, to name a few.

Castellani interventions on these issues (all issues) are usually made with a vehemence that takes Bentivegna to speak of a true "war speech." The author analyzes in detail the unique rhetoric of this debate that at times santafecino1 Bloy "approaches to discourse strongly swollen the pamphlet. "

The irony, pun, parody and injury are among the resources that Bentivegna points and can be found abundantly exemplified in the critical Handbook appended to the book. They include a highly original point about "fat and literature" and a definition of James Joyce as politically incorrect as fun.

However, this fascinating style is closely related, as evidenced by Bentivegna, an idea of \u200b\u200bliterature and criticism. The author notes that there is in Castellani a particular sensitivity to the material conditions and technical issues in its interpretation of cultural phenomena, allowing you to connect your thinking with that of Marxist theorists like Walter Benjamin and Antonio Gramsci. Of course, in Castellani, this conception "materialistic" criticism is not of Marxism but of one of the central tenets of the Christian faith: the Incarnation. In the last chapter of his book (perhaps the most interesting), Bentivegna develops the notion of "transfiguration." Returning

considerations Maritain, Auerbach, Jean-Luc Nancy and the same Castellani, the author argues that Christianity itself is the search for a red art, combining the material and spiritual dimensions. This confluence "high" and "under" left visible marks on the writing castellaniana. His style leaves every ideal of "purity" and uniqueness rules to explore the mixture and plurality of languages \u200b\u200bthat form the fabric of society, a tradition that Bentivegna (by Pasolini) back to Dante. The critical and literary work of Castellani is a foray into the complexities of Argentine discursive universe of his time: the language of scholars, the dialects, the cocoliche immigration, the technicalities of theology, the classics and popular slang overlap in their prose.

Language Castellani heterogeneous stands against all pretense of thinking literatura como puro hecho del espíritu. Como afirma Bentivegna, la “palabra transfigurada” del santafecino supone “una afirmación de la materia, del carácter corporal del acto estético”.

Esta concepción encarnada de la literatura permite releer no sólo a Castellani sino a toda una serie de autores más o menos cercanos a él (vg: Leopoldo Marechal). De este modo Castellani crítico, con un gesto que tiene algo de discreta provocación, vuelve a poner en discusión un sector de nuestra literatura que parecía “ilegible”, contribuyendo a lo que, como hemos dicho en otro lugar, es una de las funciones fundamentales de la crítica: la constante revisión the canon.

Castellani in 1952 wrote a few lines on Leon Bloy, mutatis mutandis, it could apply today: verbal violence, taste for the huge lack of moderation and willingness to "barking against anything established."



The author is a Doctor of Letters.

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The p * t crazy, plain and simple. Trader had years to get the original video, and thanks to Youtube restored it in my memory.

From ape to man, man in overalls ... What is the difference?. More Videos rescued thanks to the "yutúf" soon.

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Click to enlarge.

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Giannuzzi "in-the Grünewald Christ" Ramblings vallejianas


nerve exposed and condemned all suffering
makes a general principle.
still is time to drop
and all meat should stay here,
resolved in a heavy concentration.
tone paint
defines the drain of mass despair.
Anatomy is thick, indented ground
and where the fingers are on top
-the ways of this world are locked
torque limit is critical.
The promise of resurrection all
tends to darkness in the muscle fibers,
turned on themselves. Every detail looks
an organic pop, but the whole set
torment until the end of the
times.
A single nail and just the old dance.

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ET the extinction: ET meets Mars

Another lovely fake trailer of joining those who do scenes from other films and edited in Adobe Premiere like (or is the Pinnacle Studio?). See that little job.



Hahaha I do not know which is more hilarious, if vampires ET (with watercress goat and all), the cameo of fucking Jonas brothers (with Morgan Freeman as a spectator WTF?) Or Bruce Willis doing the militarejo frowning on duty. Elliot yes to that I see it planted in the paper.
3D
And on top to make the most epic unreliable. XD

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"As Machado, that membership was in Vallejo emotionally * doctrinaire, and if you look from the political point of view, English-Catholic reactionary, nostalgic, and Juan Donoso Cortes Biblical Paradise in the state of original innocence, Vallejo and Machado hoped to find in the revolution, no differentiation Slavic its ideological sources-the restoration of the paradise, the overcoming of deep human suffering, redemption of guilt for being born " .

* When communism.


"From Trilce , Vallejo's poetry is" gesture ", if that is true, that is, a poetry which is circular on the edge of silence because the gesture and the gesture expression are silenced. "

Javier Gutierrez Girardot," Genesis and reception of the poetry of César Vallejo ", in C. Vallejo. Work poetic, critical edition of Américo Ferrari, Mexico, Library Archives, 1989.

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You remind me of a tree that had

I swear I've been good

I drink orange juice when I wake

and brush my teeth three times a day

my thesis work

after breakfast and I eat my vegetables at the time of

food always arrived early for my French classes

and do my homework every day guitar

go to the gym and not complain of my routines without flirting

instructor I take my medicine at certain hours

and prescribed doses

swear I'm being good

then why do not I have anything?

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No "Angli" but "angeli". The Red Book

"Pelagius was an English monk when Anglos were the most strong and beautiful race in the world (non Angli, sed angeli.) Pope Gregory I the Great, who sent missionaries to England, sent because he brought two young English prisoners he scared quedño the beauty of the two Englishmen and then said those words: not Anglos, but angels. "

Leonardo Castellani, Catechism for adults, taught theology course in 1975.

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Dearest.

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Jung Roberto Longhi, Caravaggio

"But what it was for art (and not just for art, as" l'art pour l'art "not yet was ongoing) Caravaggio's revolutionary load? Are there aesthetic statements of the painter? Yes, in the process among artists of his group and opositories of 1603. To a question, responded with this creed Caravaggio painting elemental: "My way to see a gentleman painter is someone who can paint well and imitate well natural things. "A statement that is so simple, does not seem to need explanation. But if you think about it, the culture in which Caravaggio lived and worked was the opposite of" natural "was, however, artificial and decadent, or blessed, and had no desire at all to be painted "naturally", but "devout" or "noble" noble themes, noble actions sacred and profane, according to an inventive step which could range from the grim of Counter and the whim of the last Mannerist. "

(...)" When you read Ballori Caravaggio, who urged him to study the statues of Phidias and glycone, answered them reaching out "to a crowd of men indicating that nature had provided him with enough teachers and to give authority to his words, called a Gypsy by chance passing in the street, carried it home, the portrayed in the act of predicting what is coming ...", beyond the story, known since antiquity, is presented in a similr in the biography of Courbet, and it is clear that Caravaggio has come to create the "antitema." the "tranche de vie" in the modern sense. "

De Roberto Longhi," Caravaggio e la sua cerchia to Milan. "

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John L. Ortiz, On the banks of the stream

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this model simulates a commemorative cake requested by friends in her third anniversary OSITRAN