Saturday, April 30, 2011
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. H. says
Benitez: "I've read almost every book published that year against us. Except one," The Other Face of Peronism "Ernesto Sabato, deep, serene and worthy to be taken into account, everything else, what bullshit!" Yesterday was St. Perón "(from Damonte Taborda)," Eva Peron, wife of the whip "(from Mary Mann)," What is this? "(Ezequiel Martínez Estrada) must be analyzed in Institutes mental hospital. They are made of hate insane, pathological hatred "(N. Galasso, I was the confessor of Eva Peron, Rosario, Homo Sapiens, 1999, p. 109).
Tuesday, April 26, 2011
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Wednesday, April 20, 2011
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* Presidential Elections 2011-2016: Pfff to be repeated ... and I have a post about it. It was not bad experience, but the results are terrible, frankly, has shown us that we remain a country in ruins, and well, the best summary of this date, the boy did utero, not wasted your link.
* The post-election racism social networks: It was really good. Hatred, intolerance, immaturity and cyber-illiteracy bytes rivers ran in the evening on April 10 and morning of 11. Most, of course, disappointed voters candidate Pedro Pablo Kuckzinsky, who blamed the mountain (read it as inhabitants of the mountain), the "cholos" (that is urbanized indigenous) and "social malcontents" the rise of Humala and Keiko to the second round.
What I have anger, I wanted to win PPK!
But of course we should not generalize, there are people who in good faith vote for PPK, and were not racist, but naturally did not make the boundary in time so deplorable attitudes ... But anyway, that was mourn over a spilled milk: 2 weeks PPK enough to erase the political landscape (by pure your Covenant for Peru oe) and parboiled bury the Alliance for the great change.
ejected by Alvaro * Portals of Facebook: One day I visit the gallery Alvarito without noticing anything unusual ... comment until where was the option to comment? Without thinking twice, I go and tweeted about it ... behold, his enigmatic and ruthless response:
@ DarkPrince2007: No idea ... the spraying was unreliable, he puts in the pouch and boot. Here too.
WTF?? What the hell have I done to be considered as well? I said conchers unreliable; was vainly seek explanation of it, the fact is that little visit feis, let alone the MSN for my occupations and learn about it leads me to believe, among other things, since when I will have been expelled for Alvarito?
Too bad, because I admired his art and music appreciation. It is the first (or last) time that a monarch click ostracized me. Nor are we going to insist, or victimize or whine about it: fortunately I'm neither a ppkausa.
* Cancelled Symbionic Titan in the U.S.: And therefore also here in Latin America and also in Peru.
No Lance, no revenge: '(, the Cartoon Network Mutraddi beat us
Ah true, it is natural to wonder what the hell is Symbionic Titan? Was a Cartoon Network animated show that represented a return to origins, a reconciliation with the teenage audience that followed him from the 90's, until the mid-00, which was exactly the golden age of the channel. For details of the plot, click the link.
addition, the show was produced by one of the geniuses of contemporary animation, Genndy Tartakovsky ... same creator of The Dexter's Laboratory (which ironically turned 15 yesterday it was created), Samurai Jack and Star Wars The Clone Wars . One of the men who helped with their work, to place Cartoon Network (hereinafter CN) in the position where it is.
What was the show? Well, the rating is not much favored, CN has long been considered a well-child care a wider audience that is going to swallow anything you put and has neglected her lifelong fans. Apparently this kind of vile business is profitable (that is why they exploit to the utmost and Ben 10 other fried). However, the solvency Genndy artistic supposed to show, with a little more time, would meet, but exceed the expectations proposals.
But then came the inevitable. Symbionic Titan issued its last episode on April 8 this year. So they ended their 2-year short-lived, as I said before, the last chance to recover their fans CN lifetime. But that was not the rare case, not the hare jumped when CN decided to cancel the show because of LACK OF Merchandising.
This is where I emputé seriously. How there would be potential for making comics with such series? Even the more crappy shows have had a wonderful Merchandising (as for instance Transformers Animated), and even the Star Wars Clone Wars mented has placed its action figures quite naturally within the range of collectible for any fan of Star Wars ... Is not going to have this show a potential in comics?
Conspiranoids I hate myself but dismissed rumors that CN Tartakovsky to learn that this was going to work for Sony Pictures, felt that he could not chew Genndy two cheeks and right there he rescinded the contract. If that were true, it would be as dark corporate event that the purchase of Disney to Marvel.
Well another show canceled, just like that, no Vaseline. In vain is mourn and assholes. Moreover is Genndy possible that the same do not intend to continue it, because that's Phoenician is the thing in the world of animation.
* The royal wedding: More huachafo impossible ... even when I think that cable will not give this bodorrio ball, I see that National Geographic special devoted to the wedding cake ... vestosconch. I get to what we already know, I am a proud Republican, so cheap, sentimental is most revolting.
Anyway ... another month it accumulates.
Tuesday, April 12, 2011
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Well I promised, a little late but here are a relationship, as structured as possible, about 10 events that occurred in April in 250,422 polling station in Carabayllo. EARLY
7:30: I arrive as I can to local school José María Arguedas, after local and confused me almost late for 5 minutes.
8:00: First one I had with me to the third alternate, but that changed minutes later, the arrival of the other members and alternates. Receive the materials, review and install the tables. Another task is to sign the ballots one by one, only require my signature, the only Personera who appeared was the party PPK. VOTE
8:30: Voting Begins, a mechanical process but reliable: I ask the voter the DNI, the 3rd member is reviewed in the report, sends it to the voting booth with a card and a pen then the secretary have it signed in the minutes immediately after leaving their fingerprint and dip your finger in the infamous bottle. To end picks up her ID card, with the hologram sticker and adhered to, and removed.
10:00: Voter registration with the method continues quietly and smoothly.
11:00: Staff bags ONPE deals us cold rations, pack a couple of crackers, 2 bottles cifrut and mineral water, lemon candies, a can of tuna and a plastic fork with the logo of the ONPE.
12:00: A voter refuses to dip his finger in ink. With great difficulty we convinced him that a little wet. However, I also notice how absurd it is to wet your finger in the jar of yore.
13:00: My aunt brought me a plastic box with chicken rice and a salad for my lunch. My fellow diners also receive rations sent by their families, and as the volume of voters decreases, we decided to have lunch there.
14:00: I hear some songs from my cell phone mp4 not to succumb to boredom. This does not diminish my diligence at the time to continue registering voters.
15:00: I and my dedicated colleagues look forward to the end of the day ... lack little, just for an hour, there remain a dozen unused ballots.
16:00: polls are closed. Nobody comes out of that period and there is no melodrama in the local door. Thank God, but now begins ... SCRUTINY
17:00 to 18:00: gutted the box, proceed to sort the cards into 5 groups of 35 (ie, there were 175 cards used), and started to beat us, I say to count the votes. In my capacity as president of my work table is "singing" votes and the secretary be scrupulously recording them. , As does the ombudsman. 18:00: And as expected, Ollanta Humala wins my table , Keiko is challenging the voting intentions, followed predictably by PPK, and Castaneda and Toledo, in that order. Incredibly recorded only 3 votes for JUSTE, Social Forces and the Party of Fonavistas respectively ... those who did not win anything were National Awakening, National Strength and Forward. Pineapples then. Oh course, I kept my promise to stop blank ballots as it was.
19:00: Begin by counting the votes for Congress and the Andean Parliament. Damn that is pure Andean Parliament Rasking ból I swear, I'm no good. So I was not surprised that most Feedback not have even the most outlandish idea whom to vote in that box. By decision of my colleagues, and to speed up the count, I sing alongside the votes, while the clerk will dictate the votes of Congress, the 3rd member will dictate the votes for the Andean Parliament, one at a time to avoid confusion, the Personera in capturing both communications will change not to miss the election.
20:00: After the work of scrutiny, and once securely sealed and packed the record, we concluded the electoral process and we retired to our home. --- I am grateful to the ONPE for allowing me to be part of this process, I thank my hardworking fellow diners for having collaborated with the work, I thank the voters who showed up and finally the whole world, for having done their duty.
Of course, this is far from over. See you again in the 2nd round ... that I can be sure.
Monday, April 11, 2011
Where Can I Get Iflash
So, stop and mourn for the old man that Obama believed the Andean and finished as the Mac Cain of Monterrico. Your fault, for having believed a technocrat styrofoam is now Peru is an electoral perspective unflattering, to an arc with poles that could not be more different, and is sparking ...
What was with PPK youth? Pfff that shame I already felt old and displaced by the new generations, as iconoclastic them with those who once were and also, I who tormented the rapid generational change (what did not know if you are from the 90's, or 80's, and are old) but because of that, seeing your comments subnormal in social networks, I say I am a proud old.
course, also a major culprit in reality has been the disastrous government of Alan García, his indifference, his appeasement, corruption and arrogance have created an unsurpassed discontent among the lower classes, it is not possible and offset from Lima with verbal diarrheas or "good intentions." Has generated further divisiveness and gaps, and why not say, open wounds and bleeding. Wake
therefore wannabe middle class, you were indifferent to pain and poverty in the provinces, and that is how this has been harvested so polarized voting intentions. Are left to mourn over spilled milk. How long these, would like to believe that the decade (it comes from Toledo this) tablita surf the pedantic, the I-phone queer bubbling MTV, social networks subnormal, a long list of cheap, sentimental has come to an end ... Keiko is Humala is, with everything that's going to be in the past ... or rather, must remain in the past.
In other words, what would is that youth is not it, that sea of \u200b\u200bcomplacency and we've seen parading levity in these last years, months and weeks. It is again the divine treasure ... it is again Gonzales Prada's muse and May 68 (I mean the force of consciousness, not necessarily the ideology that sustains it.)
But until then ... Sic semper ppkausas (in 5 years or such a recall letterhead). And none of us lost a good president, that sort has already been profiting in Peruvian politics since the 1st Belaunde Terry.
Saturday, April 9, 2011
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"Castellani critical. discursive essay on war and the word transfigured" by Diego Bentivegna. Ediciones Cabiria. Buenos Aires, 2010.
Leonardo Castellani was born north of Santa Fe, more precisely in Reconquista, 16 November 1899. In the same way that the time was responsible for burying the first foundation of Don Juan de Garay in our lands, the years were powerful voice choking the original of this Jesuit priest, making his name in an empty word.
But Castellani was a prolific writer, unusual in our environment. A fearless critic, whose courage earned him exile and perhaps, forgotten.
Taking over from his most interesting intellectual vision, Diego Bentivegna approaches his work in critical Castellani. Discursive essay on war and the word transfigured, an essential book to locate the author in time and space, and confront him with his contemporaries, who praised them or ousted, according to the time and the political moment facing the country.
Bentivegna, with a management scholar of sources, shows the least known of Castellani face: his differences with Borges critical affinities with José María Rosa and Leopoldo Marechal, among others, their aesthetic tastes that put over the poetry of Juan Ramón Jiménez Hernández Miguel to, for example, his thoughts on the book as object, saying:
"Who does one thing, it's yours. Who makes a book? First, the author of the book, sometimes with bloody bits of your brain and your heart alive fibrils. After author, who makes a book is the printer, which gives the material body. Third, does the book publisher, who provide their capital, makes it possible for the other two workers their work, sometimes working it very little. Finally comes the bookseller, which it has deposited into your house and it will sell. The most obvious justice would ask, therefore that monetary product that cultural production was highest to lowest in this order: author, printer and book. What? Happens all the way around. "
All these features, plus an invaluable chronology and the section he calls "critical Handbook", which includes the text of the Castellani, essential for greater understanding and insight into their work, make a brief but concentrated volume is greater Under the rescue an original figure of our literature, not just in the narrative of their work recognized, but in his profile and critical essay.
Bentivegna In the pen, these fascinating texts end up being a touch reminiscent of the literary capital of an entire historical period and he, therefore, the archaeologist who unearthed the ruins, or the fisherman who brought the river to the man drowned.
Tuesday, April 5, 2011
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Friday, April 1, 2011
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No. 2369 "in April 2011 by Adur
revisited Castellani, Lucas · Comment
In critical Castellani, Diego Bentivegna proposes an approach that seeks to reposition the" furious Jesuit "in the literary work of the priest argentino.La Leonardo Castellani covers a large number of volumes and a remarkable variety of genres: folkloric tales, biblical exegesis, manuals philosophical, literary criticism, key parables gaucho, detective stories, tales, and even an annotated translation of the Summa Theologica of Thomas Aquinas. This huge mass of text remains largely ignored by academic criticism. If you are granted somewhere while Castellani is the author of detective stories, particularly The nine deaths Chestertonian Father Metri (1942) that once Rodolfo Walsh considered as the best book of this kind written in our country. The rest of the production Castellani seems expelled from the institutional repository of traditional criticism and literature: a word extópica, anachronistic, always out of place.
The recent work of Diego Bentivegna, Castellani critical. Discursive essay on war and the word transfigured (Buenos Aires, Cabiria, 2010) proposes a new approach which seeks to reposition the "furious Jesuit" in the Argentine literary field. It is not yet an apologetic reading of a mere attempt to "rescue" the author of oblivion, but a critical essay on the power running through the work castellaniana. Bentivegna reviews the issues that occupied for decades the priest Santa Fe, many of which are still outstanding: the complex relationships between religion and politics, the role of media in shaping and manipulating public opinion, the successes and failures of the educational system and market interference cultural practices, to name a few.
Castellani interventions on these issues (all issues) are usually made with a vehemence that takes Bentivegna to speak of a true "war speech." The author analyzes in detail the unique rhetoric of this debate that at times santafecino1 Bloy "approaches to discourse strongly swollen the pamphlet. "
The irony, pun, parody and injury are among the resources that Bentivegna points and can be found abundantly exemplified in the critical Handbook appended to the book. They include a highly original point about "fat and literature" and a definition of James Joyce as politically incorrect as fun.
However, this fascinating style is closely related, as evidenced by Bentivegna, an idea of \u200b\u200bliterature and criticism. The author notes that there is in Castellani a particular sensitivity to the material conditions and technical issues in its interpretation of cultural phenomena, allowing you to connect your thinking with that of Marxist theorists like Walter Benjamin and Antonio Gramsci. Of course, in Castellani, this conception "materialistic" criticism is not of Marxism but of one of the central tenets of the Christian faith: the Incarnation. In the last chapter of his book (perhaps the most interesting), Bentivegna develops the notion of "transfiguration." Returning
considerations Maritain, Auerbach, Jean-Luc Nancy and the same Castellani, the author argues that Christianity itself is the search for a red art, combining the material and spiritual dimensions. This confluence "high" and "under" left visible marks on the writing castellaniana. His style leaves every ideal of "purity" and uniqueness rules to explore the mixture and plurality of languages \u200b\u200bthat form the fabric of society, a tradition that Bentivegna (by Pasolini) back to Dante. The critical and literary work of Castellani is a foray into the complexities of Argentine discursive universe of his time: the language of scholars, the dialects, the cocoliche immigration, the technicalities of theology, the classics and popular slang overlap in their prose.
Language Castellani heterogeneous stands against all pretense of thinking literatura como puro hecho del espíritu. Como afirma Bentivegna, la “palabra transfigurada” del santafecino supone “una afirmación de la materia, del carácter corporal del acto estético”.
Esta concepción encarnada de la literatura permite releer no sólo a Castellani sino a toda una serie de autores más o menos cercanos a él (vg: Leopoldo Marechal). De este modo Castellani crítico, con un gesto que tiene algo de discreta provocación, vuelve a poner en discusión un sector de nuestra literatura que parecía “ilegible”, contribuyendo a lo que, como hemos dicho en otro lugar, es una de las funciones fundamentales de la crítica: la constante revisión the canon.
Castellani in 1952 wrote a few lines on Leon Bloy, mutatis mutandis, it could apply today: verbal violence, taste for the huge lack of moderation and willingness to "barking against anything established."
The author is a Doctor of Letters.